WORKING WATERFRONT, NEWPORT RHODE ISLAND

LOOKING NORTHEAST FROM BANNISTER'S WHARF
LOOKING NORTHEAST FROM BANNISTER’S WHARF
TONY VIERIA AND JOHN SHAY
TONY VIERIA AND JOHN SHAY
LOOKING ACROSS MATHINO'S SHIPYARD
LOOKING ACROSS MATHINO’S SHIPYARD
THE NEWPORT BRIDGE AND THE NEWPORT FERRY
THE NEWPORT BRIDGE AND THE NEWPORT FERRY
NEWPORT SHIPYARD
NEWPORT SHIPYARD
BOOK COVER
BOOK COVER

What do I do with the archive of photos I have accumulated over half a century? I jumped in with both feet and produced a book titled “WORKING WATERFRONT”. These are images of Newport’s waterfront, which has long since disappeared from the landscape; along with those who worked there.

Each photo has a story connected to it for me. Anecdotes unconnected other than by the waterfront that I remember in these photographs.

WHARF RAT

I googled the words “wharf rat” and to my dismay I found many references to those who were ardent followers of the “Greatful Dead”; not one reference to my assumption of that who wandered the docks attracted to the life on boats. Even in the International Maritime Dictionary there is not a reference to “wharf rat”. Naturally I then started to question my own idea. Was it self created; a figment of my own mind?

Continuing my internet search I found some references by Sven Carlsson about a man Jerry Warren; a self professed “wharf rat” stating it was a title one had to earn; a badge of pride.

Nathaniel Hawthorne wrote ” When I saw the seafaring people leaning against posts and sitting on planks, under the lee of warehouses,–or lolling on long-boats drawn up high and dry, as sailors and old wharf-rats are accustomed to do, in seaports of little business.

Of course the quote from “Wind in the Willows by Kenneth Grahame “There is nothing–absolutely nothing – half so much worth doing as simply messing about in boats.” spoken by Ratty.

I had many of my own experiences on Newport’s Waterfront over the years; some of which I had the good sense to capture on film.

WILLIE, AFTER A DAY OF SANDBLASTING
WILLIE, AFTER A DAY OF SANDBLASTING
FISHING BOATS
FISHING BOATS
LOOKING FROM BANNISTER'S WHARF
LOOKING FROM BANNISTER’S WHARF
LOOKIG AT MATHINOS' YARD
LOOKIG AT MATHINOS’ YARD
BOAT REPAIRS
BOAT REPAIRS
AMERICA'S CUP YACHTS ON THE WEIGHS
AMERICA’S CUP YACHTS ON THE WAYS

 

 

SNOW WEEK IN NEWPORT

The SuperBowl is over and those who attended in person are now stuck in airports because of the weather.  Here in Newport is snowed all day, with the promise of more brought by a larger system starting early Wednesday morning and then another storm on Sunday. All of these will be sandwiched by cold weather.

I was astonished by the number of cars skidding off the road while we were driving around taking these photographs.

WET AND HEAVY
WET AND HEAVY
ACCUMULATING SNOW
ACCUMULATING SNOW
OLD STONE MILL IN THE SNOW
OLD STONE MILL IN THE SNOW
NEWPORT ART MUSEUM
NEWPORT ART MUSEUM

 (4)

DORIS DUKES'S CAMELS
DORIS DUKES’S CAMELS
SEAFARE
SEAFARE
THE BREAKERS GATES
THE BREAKERS GATES

THE BEST AND THE BRIGHTEST?

WELCOME CENTER ROILS TOURIST DESTINATION NEWPORT

— Jan. 26, 2014 2:09 PM EST

You are here

Home » Gloria Vanderbilt » Welcome center roils tourist destination Newport

NEWPORT, R.I. (AP) — A proposal to build a visitors center on the grounds of The Breakers, the Gilded Age Vanderbilt family mansion and national historic landmark, is dividing Newport’s preservationists, neighbors, and even some family members in a seaside city where tourism is its lifeblood.

The Preservation Society of Newport County, the nonprofit group that owns the 70-room mansion, says the center is badly needed to serve The Breakers’ 400,000 annual visitors. Many opponents agree something is needed, but they want it across the street in the parking lot or elsewhere, not on the 13-acre grounds of the property, which they say would be irreparably damaged.

During the months since the $4.2 million plan was released, then rejected by the city’s Historic District Commission, the disagreement has devolved into a bitter fight, with opponents who once considered themselves allies of the Preservation Society now accusing it of steamrolling or cutting people out when they disagree. The Preservation Society says it has explored the alternatives, and its plan is the only feasible one to protect the magnificent home built by railroad magnate Cornelius Vanderbilt II.

“We have hired the best people, the brightest people. They’re very sensitive to the issues. There is no steamroller. We believe we’re doing the right thing,” said Don Ross, chairman of the group’s board.

Both sides say they’re fighting for the future. Opponents set up a “Save the Breakers” Facebook page in August. The Preservation Society set up a competing page the next day, also called “Save the Breakers.”

On Friday, the National Park Service weighed in, siding with critics and asking the Preservation Society to reconsider a plan it said could damage the national historic landmark.

The Preservation Society will go before the city’s zoning board on Monday to appeal, and says if it’s again turned down, it will go to court. In the meantime, the plan has drawn some high-profile detractors, including designer Gloria Vanderbilt, who in a letter to the editor of Newport This Week last summer decried the possibility that visitors to the “magical kingdom” her grandfather built would be greeted by “plastic, shrink-wrapped sandwiches.”

The Preservation Society acknowledges some Vanderbilts are angry, but says others privately support the idea once they hear more about it.

The Breakers, named for the breaking Atlantic waves it overlooks, is one of the most popular historic house museums in the United States. The estate opened in in 1895, during a time when Newport functioned as the nation’s summer social capital, and became the crown jewel in a city populated by mansions.

By the middle of the 20th century, though, many of the once-splendid homes had fallen into disrepair. Some were razed. The Preservation Society was formed to save some of those buildings. It purchased The Breakers from Vanderbilt’s descendants in the 1970s and today owns 11 properties that collectively receive more than 900,000 visitors annually.

Those who visit The Breakers today must either pay admission at a small ticket booth or at a tent erected on the grounds during warmer months. Restrooms are in the basement or in portable toilets outside. Snacks are available from vending machines situated in an outdoor shed.

The Preservation Society’s plan calls for a 3,700-square-foot building reminiscent of a conservatory to be built inside a grove of trees, where it says it would not be visible from the house or street. It would include ticketing for The Breakers and other of its houses, as well accessible restrooms. It would offer a place to get out of the weather as well as a place to buy sandwiches and sit.

Opponents ask why it can’t simply be built across the street, where it would be close by while not disrupting the original plan of the estate’s designers, including architect Richard Morris Hunt, forester James Bowditch and his brother, landscape engineer Ernest Bowditch, who was a student of Central Park designer Frederick Law Olmsted.

The Preservation Society says the building would take up too many parking spaces, forcing more traffic into the neighborhood, which includes several other large residences, Salve Regina University, and an entrance to the Cliff Walk, itself an attraction that draws hundreds of thousands of visitors annually. It also says building it in the lot would be too far from the house and could be seen from the street.

“That’s nonsense,” said Don Christ, chairman of the board of the Alletta Morris McBean Charitable Trust, which has given more than $10 million to the Preservation Society over the years and is among its largest donors. He calls the current plan inappropriate and says he doesn’t understand why a group that stands for preservation is pushing it.

He also objects that the group plans to spend so much on the project when there are other preservation projects at The Breakers that could use the money.

“If you go through The Breakers, it’s in woeful shape,” he said. “They overuse it because it’s the heart that pumps money through the Preservation Society.”

Among the plan’s supporters, however, are the state’s top economic development official, the local chamber of commerce and tourism officials. Rhode Island had an unemployment rate of 9.1 percent in December, but tourism is one of the state’s few economic bright spots.

Ronald Onorato, a Newport resident and University of Rhode Island professor who has published several books on Newport architecture, sits on a state preservation board that was asked to weigh in on part of the project. He voted yes. He says there is a tug-of-war in the neighborhood as more tourists have poured in. The Breakers is now a museum and must be run that way, rather than as a private house, he said.

But in its letter to the Preservation Society on Friday, the National Park Service pointed out that several historic homes have visitors centers set back from the main attraction, including Monticello. The group’s plan, the park service wrote, “constitutes a significant and intrusive change.”

CONTROVERSY IN NEWPORT

 

THE BREAKERS IN WINTER
THE BREAKERS IN WINTER

 

 

Monday evening, January 27th, the Zoning Board of Review of Newport Rhode Island will review the New Historic District Commission’s decision which would not allow the visitor’s center to be built on the property of the Breakers. The Zoning Board will review the decision as to whether or not the law was applied as written.

This has been a continuing heated issue in Newport. I cannot see how building this Visitor’s Center on the Breakers property is consistent with the Mission of the Preservation Society.

This will be a pivotal decision.BREAKERS 1 breakers 2 breakers 3

LA CAGE AUX FOLLES

drag queen ball3 10 97160

DRAG QUEEN BALL
DRAG QUEEN BALL

drag queen ball 10 97138

LA CAGE AUX FOLLES
LA CAGE AUX FOLLES

drag queen ball2 10 97149 drag queen ball2 10 97148 drag queen ball2 10 97146

I was there quite by accident; filling in for another photographer who could not make it to the party. The guests did their best to make me feel uncomfortable; with humor. It worked; for both sides of the camera. The harder they tried, the better the photo moments. My recollection was that it was billed as The Drag Queen Ball.

Last night someone asked me for a photo from this night; which triggered a search and then a post.